Memoryón Amor Amezcua Sánchez (given birth to November 10, 1962), a.k.a. Bostich can be an digital music composer. Amezcua can be an important amount in electronic music, especially in Mexico, Tijuana, and along the USA-Mexico boundary locations, but also in america and internationally. He provides written music for The Nortec Collective, aswell as Nortec Collective presents: Bostich+Fussible. He provides earned many Grammy Nominations, the newest in 2011 for Bulevard 2000 by Nortec Collective Presents Bostich+Fussible beneath the category of Greatest Latin Rock and roll/Alternative Album. Amezcua is definitely the Godfather of Nortec by companies and supporters alike since Bostich’s early Nortec music clearly established the features of his design: a pastime in the electronic exploration, fragmentation, and reconstitution of tarola (snare drum) rhythmic patterns and tuba noises and timbres, and their combinatorial opportunities. His melody “Polaris“ marks the genesis from the Nortec design of music using its sequenced burpy tubas and machinegun drum sprays. Amezcua began his profession as a saving musician and performer in the first 1990s when electronic music begun to gain prominence in Mexico. He provides recorded regularly since 1992 using the aliases Bostich, Stage Loma, Monnithor and Todas las Cajas del Ritmo. As Bostich, he provides collaborated with visible performers (Fritz Torres, Jorge Verdin, Checo Dark brown, Ernesto Aello), film directors (Les Bernstein, Hans Fjellestad, Emilio Maillé, Alex Rivera), authors (José Manuel Valenzuela, Alejandro L. Madrid, Juan Carlos Reyna), and music artists and composers (Pauline Oliveros, Kronos Quartet, Alan Parsons, The Baja California Orchestra, and Pepe Mogt). Since 2007, Amezcua has performed with Pepe Mogt, jointly referred to as “Bostich+Fussible,” and presenting themselves in concert as Nortec Collective presents: Bostich+Fussible. In 2011, the duo had been honored performers on the starting ceremony from the 2011 Pan-American Video games in Guadalajara, Mexico.
Memoryón Amezcua may be the boy of Agustin Amezcua and Elizabeth Sanchez and dad of Memoryón Andrés, Luis Fernando, Amor and Eduardo Amezcua. In his youngsters, he was inspired seriously by his brothers' record collection. Therefore, Amezcua created a mixed record collection that included digital music and intensifying rock and roll including Kraftwerk, Klaus Schulze, Bartók, Schoenberg, Luciano Berio aswell as traditional music like Ludwig truck Beethoven and Mozart.Amezcua graduated from CECyT SENIOR HIGH SCHOOL in Tijuana and continued to review Dentistry on the College or university of Baja California with a in Orthodontics in IDAP Tijuana. Then studied piano on the Casa de la Cultura Conservatory of Music in Tijuana with 26 inserted an accelerated university program on the Escuela de Musica del Noroeste in Tijuana, where he researched Structure and Cello.
In Tijuana, Amezcua uncovered digital music by hearing Kraftwerk and Karlheinz Stockhausen. At that time he had created two albums: Tempo D'Afrodita in 1992 and Elektronische in 1994, with exceptional reception in Mexico and overseas. Amezcua became a significant promoter from the electronic music picture in Mexico by arranging massive digital music concerts or raves in metropolitan areas like Mexico Town, Monterrey, Guadalajara and Tijuana.In 1999 Amezcua founded the record label Mil Information with Pepe Mogt. They started mixing digital music with musical components and instrumentation of Tambora and Norteño music, leading to the Nortec design.Mexican and worldwide press dubbed his melody Polaris as emblematic of the brand new Nortec sound. Polaris was afterwards selected with the Mexico's AUTHORITIES as the theme melody because of its millennium festivities in Mexico Town’s Zócalo/Plaza Zócalo. Amezcua also constructed the music for Mexico’s pavilion on the Hanover Expo 2000, in Germany, along with fellow Nortec Collective member Pepe Mogt.In 2005, Amezcua as well as the Nortec Collective released the album Nortec Collective presents: Tijuana Sessions Vol.3 to excellent testimonials by Rolling Rock and Billboard periodicals, as well seeing that THE BRAND NEW York Situations and various other international magazines. In 2006 Nortec performed on the Palacio de Bellas Artes de México, one of the most esteemed concert hall in Mexico.In 2008, Amezcua produced the album Tijuana Sound Machine with Pepe Mogt. The record received another Latin Grammy nomination. In 2008, Amezcua and Mogt, referred to as Bostich and Fussible respectively, produced an extensive Western european summer months tour. They performed in France, Spain, Morocco, Finland, Britain, Belgium, Norway, Sweden, and Turkey, amongst others. In 2008 Oxford School Press released the reserve Nortec Rifa by musicologist and teacher Alejandro Madrid, P.h.D. on the School of Illinois at Chicago.In '09 2009, Amezcua was again nominated for a global Grammy for the Tijuana Sound Machine LP. THE WINTERTIME Music Meeting also nominated the record for the 24th Annual International Dance Music Prize. This year 2010, Amezcua gained another International Grammy nomination for the record Bulevar 2000 created with Pepe Mogt.Amezcua and Mogt performed on the 2011 Pan-American Video games opening celebration seeing that Bostich and Fussible. Amezcua’s theme Polaris was chosen by the arranging committee as the primary theme for the night time.
Awards and nominations
This portion of a biography of a full time income person needs additional citations for verification. Make sure you help with the addition of reliable resources. Contentious materials about living people that's unsourced or badly sourced should be taken out immediately, particularly if possibly libelous or dangerous. (January 2012) 2006. Nortec Collective: The Tijuana Periods Vol. 3 (Nacional Information): Two Latin Grammy nominations for Greatest Alternative Music Record and Best Documenting Deal. 2009. Nortec Collective Presents Bostich+Fussible: Tijuana Audio Machine (Nacional Information): Nominated for Greatest Latin Rock and roll/Alternative Record for the 51st Grammy Honours. 2009. Nortec Collective Presents Bostich+Fussible: Tijuana Audio Machine (Nacional Information): Nominated for the 24th Annual International Dance Music Prize (Wintertime Music Meeting). 2009. Nortec Collective Presents Bostich+Fussible: Tijuana Audio Machine (Nacional Information): Nominated for Premios Lunas del Auditorio (Mexico). 2010. Nortec Collective Presents Bostich+Fussible: Bulevar 2000 (Nacional Information): Nominated for Premios de la Musica Independiente en España as Artista Mexicano del Año 2011. Nortec Collective Presents Bostich+Fussible: Bulevar 2000 (Nacional Information): Nominated for Greatest Latin Rock and roll/Alternative Record for the Grammy Honours.
Bostich: Tempo D’Afrodita Cassette (Noarte, MX, 1992) Bostich: Elektronische (Opción Sónica, MX, 1994) Bostich+Fussble: Remixes (Opción Sónica/Mil Information, MX, 2000) Bostich: Tijuana Bass Sampler Compact disc (Mil Information, MX, 2000) Bostich: Autobanda Sampler Compact disc (Mil Information, MX, 2003) Nortec Collective: Compilation Sampler Compact disc (Mil Information, MX, 1999) Nortec Collective: The Tijuana Classes Vol. 1 Compact disc / 2LP (Hand Pictures/Mil Information, US – MX, 2002) Nortec Collective: The Tijuana Classes Vol. 3 (Nacional Information, US, 2005) Stage Loma: Foráneo (RedeyeMusic, UK, 2005) Nortec Collective Presents Bostich+Fussible: Tijuana Audio Machine (Nacional Information, US, 2008) Nortec Collective Presents Bostich+Fussible: Bulevar 2000 (Nacional Information, US, 2010) Nortec Collective Presents Bostich+Fussible: Motel Baja (Nacional Information, US, 2014)
Bostich: Vectoria and Curso de la Vida posted in Below San Onofre (Panhandler, MX, 1992) Bostich: Basia posted in From Trance to Cyber (Opción Sónica, MX, 1994) Bostich: TransceFormation (Opción Sónica, MXC, 1996) Bostich: Ciclo de Krebs posted in Toltecnica (Opcion Sónica, MX, 1998) Bostich: Ciclo de Krebs posted in Motivos del Sitio 29 (Nimbostatic, MX, 1994) Bostich: Emphasis and Reasoning Devise posted in Sueño de la Gallina (Cha3, MX, 1998) Nortec Collective: The Spaced TJ Dub EP Vinyl fabric Compilation (Mil Information, MX, 1999) Bostich: Cartucho posted in Nor-Tec Experimental (Mil Information, MX, 1999) Bostich: Polaris (Hellatina Combine) posted in Dos Vinyl fabric Compilation (Mil Information, MX, 1999) Bostich: Polaris posted in International Dj Gigolos, Volumen 4 (Gigolo Information, DE, 2000) Bostich: Polaris posted in Tecnogeist 2000 (Arteria Information/Opción Sónica, MX, 2000) Bostich: Un Vergel posted in Toltecnica Radical (Opción Sónica, MX, 2000) Bostich: Polaris posted in Sonic Heaven (Palm Images, US, 2001) Bostich: Un Vergel posted in Tecnogeist 2001 (Arteria Information, MX, 2001) Bostich: Polaris Remix posted in Nortec Collective EP Vinyl fabric (Palm Images, US, 2001) Bostich: Outfit Circuits posted in Frontier Lifestyle Soundtrack Compact disc (Accretions, US, 2002) Nortec Collective: Tijuana Defeat Shop mixed simply by Dj Anibal (Mil Information, MX, 2002) Bostich and Kronos Quartet: Un Sinaloence (Surco, 2002) Stage Loma: Foráneo posted in Colores Vol. 1 (Mil Information, MX, 2004) Stage Loma: Activity, Verberation and Mono released in Random V1 (Mil Information, MX, 2004) Bostich: Reasonable Source released in Moog Soundtrack Compact disc (ZU33/Hollywood Information, US, 2004) Alan Parsons and Nortec: Tijuaniac released within a Valid Route (Artemis, 2004)
non-a Delichas: Paraisos Bostich Remix (Nimbostatic, MX, 1997) Ford Proco: FM Street” Bostich Nortec Remix (Nimbostatic, MX, 2000) Julieta Venegas: Seria Feliz” Bostich Nortec Remix (BMG, MX, 2000) Kinky: Soun Tha Mi Primer Amor Bostich Remix (Netwerk, CA, 2000) Aviador Dro: Que vanguardistas somos Bostich Remix (Cosmos, SP, 2000) Ely Guerra: Abusar Bostich Remix published in Lotofire (EMI/Higher Octave, US, 2002) Fase: Tania Bostich Nortec Remix (Common Information, US, 2002) Panoptica: Kinky Bisturi Bostich Nortec Remix published in The Tijuana Remixes (Certificate 18, UK, 2002) Kronos Quartet: Un Sinaloense Bostich Remix (Nonesuch/Surco, UK – US, 2002) Gustavo Cerati: Sulky Bostich Nortec Remix published in Reversiones/Siempre Sera Hoy (BMG, 2003) Julieta Venegas: Seria Feliz Bostich Nortec Remix published in Mexican Divas (Opción Sónica, MX, 2003) Musmilgauze: Blend 05 Bostich Remix (Azra, US, 2004) Beck: Que' Onda Güero Nortec Collective Remix (2005) Rigo Tovar: Que bonito baila Nortec Collective Remix (EMI/Capitol, US, 2006) Bostich:Polaris Un Futuro de la Inovación, Bostich+Fussible Remix as featured in 2011 Pan-American Games
Publications about Nortec
Paso del Nortec. That is Tijuana! released by Trilce Ediciones (MX, 2004) Unusual " NEW WORLD " | Extraño Nuevo Mundo (Arte con diseño desde Tijuana) released from the Museum of Modern Art NORTH PARK (US, 2006) Nor-tec Rifa!: Electronic Dance Music from Tijuana towards the Globe by Alejandro Madrid and released by Oxford University or college (March 2008)